You’re the coordinator of Talents Sarajevo. Could you briefly describe how this programme is structured?

Talents Sarajevo is structured to provide emerging filmmakers with a comprehensive and immersive experience aimed at developing their skills, expanding their networks, and fostering their artistic growth. The program typically includes various modules tailored to different aspects of filmmaking. Talents Sarajevo incorporates activities that intersect with the Sarajevo Film Festival, allowing participants to immerse themselves in the festival atmosphere, attend film screenings, and interact with established filmmakers and industry professionals. Overall, the program is designed to provide a supportive and dynamic environment where emerging talents can learn, create, and connect within the vibrant film community of Southeast Europe and the Southern Caucasus.

Besides working for film festivals, you’re also a producer of different kinds of films. What attracts you in the role of a producer?

As a producer, I find the role incredibly fulfilling. I'm drawn to the collaborative nature of filmmaking and the opportunity to work closely with a diverse team of creative individuals. Bringing together talented people with unique perspectives and skills to collectively bring a story to life is immensely rewarding.  I have the opportunity to be involved in every stage of production so this hands-on involvement allows me to shape the creative vision of the project and ensure that it stays true to its original intent. It is actually very addictive.

How do you see the importance of film festivals nowadays?

Film festivals are pivotal in today's cinematic world, shaping culture, fostering creativity, and facilitating global dialogue within the film industry and beyond. They consistently celebrate diversity and nurture talent, promoting independent cinema and providing platforms for industry networking and cultural exchange. Lastly, they engage audiences, sparking dialogue and fostering education through screenings and discussions.

The participants of Talents Sarajevo in 2021 / photo: sff.ba

Is there a specific element (visual accomplishments, acting, editing, etc.) you’re going to pay attention to as a jury member in Friss Hús or is the overall experience the most important for you in a film?

To me the most compelling films are those that excel across multiple elements, creating a cohesive and immersive cinematic experience that resonates with audiences long after the credits roll. As a jury member in Friss Hús, I will strive to recognize and celebrate films that achieve excellence in storytelling and artistic vision.

What do you expect from the International competition programme of Friss Hús?

I expect to encounter a diverse array of thought-provoking and innovative films from emerging filmmakers and see a range of cinematic styles and storytelling approaches, each offering a unique perspective on contemporary issues, personal narratives, and cultural landscapes.

Do you have a favourite Hungarian film? (short and feature)

Yes! For the feature film I would say White God directed by Kornél Mundruczó and for the short film Symphony No. 42 directed by Réka Bucsi.